I incarnate, in my sculptures, bodies suspended in time without identity, that without being real they reveal as figures. Skin as soft clay, this gesture speaks of body and eroticism, mind and being condensed in a duality of the lightness and heaviness. It is a product of the society, is part of a whole, which without being in evidence… is present.
My interest in the human body and its psychology extends to diverse plastic expressions. I began empirically with the sculpture in clay, now I desire to return to my origins and meet again in a deep way with the creation of my hands, the creation of my own body.