The photographic image is cut in little fragments, each one of them fixed on acrylic lamina by a pin at different depths. Manifesting a body without organs — neither muscles nor bones, the image does not try to show what it represents. Rather it shows what is manipulated by it — the body preserved in time.
The pin injures the photo and the body, but simultaneously, it conserves it like an insect collection. Neither the wall nor the acrylic lamina contains the image. The photographic skin is taken off and is dispersed around itself, its nature is unstable.